Music Performance “The Fifth Cardinal Direction”
To celebrate the 45th anniversary of diplomatic relations Austria - Vietnam, you are invited to the performance “The fifth cardinal direction”, a composition by Gregor Siedl & Cao Thanh Lan.
The fifth cardinal direction can be found in ancient Asian-, Native American- and Indo-European cultures and represents the center, the here and now, the inner self. This composition is an introspective journey to the inner self and its transformations during a person’s lifetime.
During their concert tour and working time in Europe, Asia, Australia and South America, Cao Thanh Lan and Gregor Siedl have been fascinated by the difference between people from different cultures but also realize how similar we are as human beings. We all have to be born, grow up, love, to be loved, work, create and inevitably pass away. We all celebrate these crucial points of transformation of our inner-self in one form or another and music has always played an important role in these moments as a gateway to the immaterial world and our subconscious mind. The composers have a background in contemporary European music. At the same time they have great interest and appreciation for folk music – music that comes directly from the heart of people, real life and has been passed on for a multitude of generations, a music that is very particular to each culture but still universal as it expresses human feelings in an immediate way.
In „The fifth cardinal direction“, they developed a musical language comprised of contemporary music compositional methods and specific contemporary instrumental techniques. The musical language also draws inspiration specifically from the vocal music of ethnic minorities in Northern Vietnam, in particular those of the red Dao, Hmong and Lolo people.
Most of the melody instruments like khen, sao, ken la, sona, pi pap, pi thiu, etc. imitate the human voice and therefore have singing qualities in regard of phrasing, range, melodic ornamentation and articulation. The text used in the composition is for the most part a fantasy language, so that the listeners can focus on the musicality and the expressiveness of the language rather than focusing on the meaning of the text.
The six acts of this composition each relates to a landmark or transitional period in a person’s life: birth, maturity, love, work and creation, (self-) destruction and re-birth.
In Ho Chi Minh City, the show will be held on 13 Nov at Ho Chi Minh City Conservatory of Music.
In Hanoi, the show will be held on 15 Nov at Hanoi Opera House.
During their concert tour and working time in Europe, Asia, Australia and South America, Cao Thanh Lan and Gregor Siedl have been fascinated by the difference between people from different cultures but also realize how similar we are as human beings. We all have to be born, grow up, love, to be loved, work, create and inevitably pass away. We all celebrate these crucial points of transformation of our inner-self in one form or another and music has always played an important role in these moments as a gateway to the immaterial world and our subconscious mind. The composers have a background in contemporary European music. At the same time they have great interest and appreciation for folk music – music that comes directly from the heart of people, real life and has been passed on for a multitude of generations, a music that is very particular to each culture but still universal as it expresses human feelings in an immediate way.
In „The fifth cardinal direction“, they developed a musical language comprised of contemporary music compositional methods and specific contemporary instrumental techniques. The musical language also draws inspiration specifically from the vocal music of ethnic minorities in Northern Vietnam, in particular those of the red Dao, Hmong and Lolo people.
Most of the melody instruments like khen, sao, ken la, sona, pi pap, pi thiu, etc. imitate the human voice and therefore have singing qualities in regard of phrasing, range, melodic ornamentation and articulation. The text used in the composition is for the most part a fantasy language, so that the listeners can focus on the musicality and the expressiveness of the language rather than focusing on the meaning of the text.
The six acts of this composition each relates to a landmark or transitional period in a person’s life: birth, maturity, love, work and creation, (self-) destruction and re-birth.
In Ho Chi Minh City, the show will be held on 13 Nov at Ho Chi Minh City Conservatory of Music.
In Hanoi, the show will be held on 15 Nov at Hanoi Opera House.
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